'I see the Four-fold man, Humanity in deadly sleep'; Ben Edge and the Children of Albion, Fitzrovia Chapel
A chapel marooned in a corporate square becomes a glittering folk altarpiece. I wandered the Fitzrovia Chapel and give a close London art review of Ben Edge's The Children of Albion in the chancel, tracing Blakean echoes, Bosch-like detail, context on folklore rising and why the show matters.
Rolly's Take
For the seeker who finds solace in the space between the ancient and modern, where art becomes a vessel for forgotten stories. They recognize beauty in the unexpected, where a chapel stands against the tide of concrete, whispering of folklore and lost traditions. Here lies an invitation to awaken the senses and reconnect with the roots of humanity, one brushstroke at a time.